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{"id":12779,"date":"2021-04-26T13:47:11","date_gmt":"2021-04-26T13:47:11","guid":{"rendered":"http:\/\/www.andreapatten.com\/?p=12779"},"modified":"2021-04-28T12:36:42","modified_gmt":"2021-04-28T12:36:42","slug":"gun-violence-passive-voice","status":"publish","type":"post","link":"https:\/\/www.andreapatten.com\/2021\/04\/26\/gun-violence-passive-voice\/","title":{"rendered":"Gun Violence and Passive Voice"},"content":{"rendered":"

It breaks my heart that gun violence has become an evergreen topic, but here we are. I won\u2019t list them but the Gun Violence Archive<\/a> does. It\u2019s unsettling to look at the list and see how many of these terrible tragedies have already faded in memory. The following is an update of post that appeared here three years ago.<\/em><\/p>\n

##<\/p>\n

What do you see when I say \u201cpassive?\u201d Hankie-totin\u2019 Southern ladies on their fainting couches? Perhaps a heroine, reenacting The Perils of Pauline, tied to the railroad tracks, waiting for rescue? The endlessly complaining, hand-wringing, opinionated non-voter? Or is it the teenaged lump, tethered to this earth by those ever-present headphones? When one is passive, there is no active resistance or response. We can see \u201cpassive.\u201d<\/p>\n

\"\"For writers, there\u2019s that pesky passive voice. When using tools to check my work, I sometimes encounter the software’s dreaded yellow squiggles, indicating a voice that’s not quite active enough. The yellow lines taunt me, demanding a re-write.<\/a><\/p>\n

But, as the one who installed said pushy software? I actively ignore some of its error messages, tenderly x\u2019ing out yellow squiggles here and there. What I really want to do is to yell at it. \u201cShut up, dammit.\u201d Use of the passive voice is not always an error. Sometimes it\u2019s a stylistic choice. It\u2019s a choice I make when I don\u2019t CARE how the action occurred or even whodunit. It just is. And, I actively \u2014 very actively \u2014 more actively than you can know… chose those words.<\/p>\n

Does Gun Violence Leave Fingerprints, Too?<\/h3>\n

That, my friends, is an example of an active voice. It leaves no doubt as to the actor: c’est moi.<\/a> Out here on the printed page or floating in some google-verse, thick with electrons. I still don\u2019t understand how that happens, but I don\u2019t care enough to investigate. Passive. Not the passive voice: just passive. On my virtual fainting couch.<\/p>\n

But just what is a voice<\/a>? I like to think of it as the fingerprint of an artistic endeavor. Actors, singers, and writers all spend time honing and developing a voice. And it can change from time to time. Stories are told, and songs are shared, over and over. 26 letters. Seven plots. Eight whole notes in a Western scale. Voice distinguishes Romeo and Juliet from West Side Story. Ronan Tynan\u2019s<\/a> Star Spangled Banner from Roseanne Barr\u2019s. Voice is what gives an artist ownership; it makes a thing their own. Finding one\u2019s voice is a trip along that Mobius strip called a learning curve. Age and maturity can conspire to facilitate discovery. It could be a luxurious exploration \u2014 like journaling or time shared with a gifted therapist or teacher.<\/p>\n

And sometimes it\u2019s as simple as a semi-automatic rifle and unspent, swastika-bearing magazines. Hundreds of lives lost: thousands of voices found.<\/p>\n

\"\"Knowing Your Voice<\/h3>\n

Think about your own voice for a moment. Is it a song or a sound? A noise or a growl? I think about theirs as well: a cry, a whimper, a protest, a scream. Like so many others before them, their voices were muffled for hours as they hid in closets, whispering calls to 9-1-1. Texting \u2018goodbyes\u2019 to their loved ones. Urgent voices. Whispers. Cries. Warnings. And when the scene of the crime was deemed secure, they cried some more. And prayed and laughed and hugged with snot and tears running down their faces. And ever since we learned the term \u201cbump stock,\u201d<\/a> we\u2019ve seen it too many times.<\/p>\n

Thoughts and prayers were offered. Their happily-ever-after was taken.<\/p>\n

We use passive voice when the action is more important than the perpetrator or when one wishes to be formal, impersonal, or academic. It is accepted proper journalistic style. Do you ever worry about the blurring line between journalism and entertainment? Perhaps editors launch these neutral headlines to help us take a breath or to feel more objective. Distant. Dispassionate.<\/p>\n